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![]() ![]() On the bed, Fowley played to the crowd, gnashing his teeth and growling like a dog as he raped Jackie. Arguelles returned to the room to see if this was all a big joke. “Kim’s fucking someone!” a voice shouted from the door of the motel room to the partygoers outside, calling them in to watch. “Fowley invited other guys to have sex with Jackie before removing his own pants and climbing on top of her. The article in The Huffington Post describes each and every grueling detail of the scene that night. But I know what was going on inside and it was horror.” ![]() … I don’t know what it looked like from the outside. All I can do is look him in the eye and do the best I can do to communicate: Please say no. “You don’t know what terror is until you realize something bad is about to happen to you and you can’t move a muscle,” she remembers, “I can’t move. The incident is clouded by hazy memories, inconsistencies, and halfhearted denials and Fox remembers very little of that night, but believes she can recall enough to comprehend what had happened to her. Fox recollects that on New Years Eve of 1975, after a show with the band, she was coerced into taking several Quaaludes before attending a party with her band mates that would leave her violated and traumatized. Kim Fowley was Fox’s boss, mentor, and provider putting him in a position of ultimate power which the Huffington Post claims he notoriously used to assault and exploit the teen girls that surrounded him. Unbeknownst to Fox, she was leaving behind the restrictions of her high school to work under a man with the power to eradicate her. Before her fame, Jackie Fuchs (now Jackie Fox) was a driven and unique teenage girl with ambitious dreams nothing more than a bookworm thrust into the world of “rockers in glitter shorts and leather.” Ironic as it may seem, she was drawn to the fantastical sense of freedom that The Runaways seemed to provide. ![]() ![]() ![]() "You're a nice lad," I said and patted his shoulder. Again, he could read some of these letters but not all. ![]() "Your need will pass," the gunslinger said, and managed to get one of the sample packets out of the pocket of Eddie's jeans, which were so like his own. The little urrish male provided his wife with a healthy dose of prudence and good judgment. Too bad we had to leave yee behind with our gear, he thought. A little independent freighter by the name of Icarus.ĭwer ignored Rety as he peered ahead through the swampy gloom with water sloshing past his navel. You'll be even more surprised when I tell you the name of the ship I came in on, Nicabar said dryly. 'Anyway, if we're going to start, we'd better light the candles.' It was before the year of your 1950s or was it 1960s when the House of Sinanju agreed to train something dragged in off the streets, as a stopgap measure in lieu of a real assassin. Graham did not realize, as Molly did, that he gave presents when he was angry. Only when he was sure he was alone at the mail drop did he address it to Molly in Oregon. He had it wrapped and stamped for mailing. In the window of a jewelry store he saw a delicate antique gold bracelet. I have already fought and will continue to fight for all of you.' 'I have already sworn to protect the Mud People, and the others of the Midlands. They could probably make a fortune together, and some of the girls he knew might loosen Hood up a bit- make everyone's life a little less uptight. He also wished Hood would join him at the track once in a while, instead of doing the Family Man of the Year drill. I've pretty much unraveled the meaning of the symbols, but it takes a bit of doing to connect them into words than can be interpreted in English. There were long-haired men from Babylon and even highborn Hebrews here, all with very hairy arms and chests, and many colonial Romans who were dazzled by the points I made, that in the flesh and in the wine, we find the truth of life. I fell into discussions with several of them. I lost sight of him as he started his ascent. He'd been up to thievery, no doubt, for there was no place to shop in these slow hours before dawn. I could see James at the base of the hill, just turning the comer from M Street, a load of parcels in his arms. Then she giggled.Melongel really likes you.Īfter I made these little arrangements, I went up on the roof. ![]() Spotting the harper, S'loner raised his right hand to give him the signal to begin the entertainment.Īt the Gather Court? Oh, Rob, that is an honour, Kasia exclaimed when he told her, her eyes wide. S'loner shook his head, and then the girl pointed towards Robinton. The Weyrleader had bent his head to listen to something one of the weyr girls was saying: a girl Robinton had noticed himself because of her quiet dignity and gracefulness. Like many jack-ups, drill ships and sub-mersibles, the Seawitch had two complete sets of accommodation and messes-one for Westerners, the other for Orientals: there were at that time no Orientals aboard.Įat. Accommodation for the newly arrived men and storage for the weaponry presented no problem. ![]() ![]() ![]() This tool will work on your Mac, all latest versions are supported. 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There was a satisfaction in striking things out, penciling in alternatives, drawing big swooping arrows to switch things around. Was there anything unusual about the way in which you wrote this poem?ĭuring the phase in which I wrote this, I’d draft poems in mechanical pencil, on enormous sketch pads. A bit like ballet, which is a theme in the book, the form allowed me to be meticulous and precise while remaining present with my most untamable subject matter. There was a wildness in those poems that craved something orderly and sturdy to lean on. Four quatrains of fairly short and uniform lines. Several of the poems in my first book, The Tulip-Flame, share this poem’s form. How did this poem arrive at its final form? Did you consciously employ any principles of technique? But the ending came almost fully formed, in a burst. I remember that much of this poem was written in intense concentration and toil. I’d work on my one poem every day, often first thing in the morning and last thing at night, often for hours at a time, and by the end of the month it would be finished.ĭo you believe in inspiration? How much of this poem was “received” and how much was the result of sweat and tears? It seemed like a slow pace compared to some writers, but I was happy with it. I started other poems, too, and brought them as drafts to workshop, but I concentrated on and finished one at a time. My MFA was a four-year program, and by the second year I’d developed a steady rhythm of finishing one poem a month. I’m not sure of the number of revisions, but it was written during a period in which I was working hard on a single poem at a time. How many revisions did this poem undergo? How much time elapsed between the first and final drafts? I had lots of time to think while walking up and down the steep hills in Fayetteville. As with many of my poems from that time, it likely started as a line or an image that came to me as I walked to or from campus at the University of Arkansas in Fayetteville, where I was an MFA student. I think I wrote this poem in 2008, maybe early 2009. When was this poem composed? How did it start? In a vast field on which the seasons hang She is currently an Assistant Professor of Creative Writing at Baylor University. Her poems have appeared in The Paris Review, Orion, The Southern Review, and elsewhere, and her awards include a Ruth Lilly Fellowship and a Pushcart Prize. She is also the author of a chapbook, Then Winter (Bull City Press, 2017). Smith for the Cleveland State University Poetry Center First Book Prize, named a finalist for the PEN Center USA Literary Award, and won Foreword Reviews Poetry Book of the Year Award, the Eric Hoffer Award, and a Texas Institute of Letters Award. ![]() She is the author of The Tulip-Flame (2014), which was selected by Tracy K. Chloe Honum grew up in Auckland, Aotearoa/New Zealand. ![]() ![]() ![]()
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