![]() It is this resourceful German who amputates the leg of one of the men when none of the other survivors is up to this harrowing task. And very soon it is this German-commander of the sub, it transpires-who assumes command of the lifeboat when the others cannot choose their own leader. These latter are two tough but aimless fellows, a Cockney dreamer and a pensive Negro-all of them clearly indicative of an inarticulate class.In the boat, also, is a German, lone survivor of the submarine which fired the fateful torpedo and was in turn sunk from the stricken ship. ![]() Then there is an American business tycoon, likewise opportunistic and cynical two meek and pathetic women and four men of the torpedoed ship's crew. There is, first, a parasitic woman, representative of the luxury fringe, who is opportunistic and cynical-a picturesque trifler in every respect. ![]() Within their battered lifeboat are assembled an assortment of folks who typify various strata of a free, democratic society. ![]() However, they have also given us an allegorical film with a theme which is startling in its broad implications, especially in this critical time.For what the worthy gentlemen have given us, when you look closer than the surface aspects, is a trenchant and blistering symbolization of the world and its woes today. With only nine characters under scrutiny within the limits of a standard ship's lifeboat-an area from which the camera never at any time departs-they have peeled off a tense and vital drama of survivors adrift from a torpedoed ship, absorbing in its revelations of character and its brilliantly pictorialized details. That old master of screen melodrama, Alfred Hitchcock, and Writer John Steinbeck have combined their distinctive talents in a tremendously provocative film-indeed, a surprisingly unique one-titled "Lifeboat," which came to the Astor yesterday. ![]()
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